Marcel Duchamp summary

Orphism, in the visual arts, a trend in abstract art spearheaded by Robert Delaunay that derived from Cubism and gave priority to light and colour. The movement’s name was coined in 1912 by the French poet Guillaume Apollinaire. Apollinaire regarded the colourful Cubist-inspired paintings of

Cubism, highly influential visual arts style of the 20th century that was created principally by the artists Pablo Picasso and Georges Braque in Paris between 1907 and 1914. The Cubist style emphasized the flat, two-dimensional surface of the picture plane, rejecting the traditional techniques of

Dada, nihilistic and antiaesthetic movement in the arts that flourished primarily in Zürich, Switzerland; New York City; Berlin, Cologne, and Hannover, Germany; and Paris in the early 20th century. Several explanations have been given by various members of the movement as to how it received its

Surrealism, movement in visual art and literature, flourishing in Europe between World Wars I and II. Surrealism grew principally out of the earlier Dada movement, which before World War I produced works of anti-art that deliberately defied reason; but Surrealism’s emphasis was not on negation but