Georg Philipp Telemann summary

Cantata, (from Italian cantare, “to sing”), originally, a musical composition intended to be sung, as opposed to a sonata, a composition played instrumentally; now, loosely, any work for voices and instruments. The word cantata first appeared in the Italian composer Alessandro Grandi’s Cantade et

Passion music, musical setting of the suffering and Crucifixion of Christ, based either on biblical texts or poetic elaborations. Dating from the 4th century onward, they range from unaccompanied plainsong to compositions for soloists, chorus, and orchestra. In the medieval Passion the deacon sang

Oratorio, a large-scale musical composition on a sacred or semisacred subject, for solo voices, chorus, and orchestra. An oratorio’s text is usually based on scripture, and the narration necessary to move from scene to scene is supplied by recitatives sung by various voices to prepare the way for

Music, art concerned with combining vocal or instrumental sounds for beauty of form or emotional expression, usually according to cultural standards of rhythm, melody, and, in most Western music, harmony. Both the simple folk song and the complex electronic composition belong to the same activity,